I found a couple of indoor, small crowd foleys online. I imported the mp3 files into a new Logic Pro session. My mixing process was simple, yet paid attention to detail. Once I topped and tailed the foley tracks, I added silver verb, Gain reduction, mid-range boost, and pre-mastering to each, accordingly. I wanted to add depth and reflection to 2 of the crowd tracks, which I accomplished with about 14-18% reverb. I then spliced my audio tracks into clips and arranged them to my taste. Each track has fade-in and outs for smooth transitions. The acapella stem has stereo panning automation from slight left to center to right and then reversed, for an on-stage presence feel. I’ve also added automated binaural panning for the crowd tracks. My master track has Ozone 9, Fresh Air, Limiter, and compressor for the final output. I wanted my project to remind people of actual experiences they may have had at a live event, which is why many of the mixing techniques used here are important, in regard to the objective of this scene/variation. These are also method I would use for film scoring.